My photography has long been rooted in the observation of coastal and desert landscapes—and attempting to convey the peace and stillness some images invoke. However, the current political climate has necessitated a departure from passive observation toward active interrogation. This new series is an attempt to translate personal frustration, outrage, and disillusionment into a visual language. By repurposing the idealized aesthetic of mid-century modern and 1960s Americana—the period alluded to in the phrase "Make America Great Again"—I am examining the dissonance between the promises of the past vs. the very different realities of the present. These works are not merely collages; they are a confrontation with the cultural myths we have inherited.